Synetic Scores Again with Shakespeare's Twelfth Night

With all the snow this winter, power outages have been occurring all over the country. The next time you find yourself without power, you might want to call the Synetic Theater troupe to perform their current production Twelfth Night in your area.

The play, set in the Gatsbyesque, 1920s era of silent films and the company's 10th production in its ongoing Silent Shakespeare series, creates enough energy to keep a huge neighborhood or even a good-sized city steeped in power for days.

Director Paata Tsikurishvilli says the linkage between the 1920s and the Shakespeare play was "natural."

"Much like the seminal novel of the period, F. Scott Fitzgerald's The Great Gatsby, Shakespeare's play is a meditation on selfishness and shallowness, a satire at once melancholic and biting," Tsikurishvilli says in his director's notes. "In fact, many of the characters in Fitzgerald's novel seem direct descendants of those in Shakespeare's play - both works are peopled with the idle, indolent, hard-drinking rich, living purely for fun, in the moment, and with apparently nothing better to do than ostentatiously wallow in their private miseries or exact cruel and heartless revenge for grievances, real of imagined."

"Only the play's central character Viola (played brilliantly in the production by Tsikurishvilli's wife Irina) stands out from the rest of these petty aristocrats: a (Charlie Chaplin) Little Tramp-like figure, searching for love, deeply good and completely indestructible," he added.

The use of the 1920s setting also offers the opportunity for the talented cast to demonstrate a new-for-them style of movement based on the iconic dances of the 1920s such as the charleston and the jitterbug.

In short, if you like great theater, spirited dancing, Shakespeare, the 1920s, or early jazz music, you should see this play. But you will have to hurry. There are only 6 performances left this week.

But don't just take our word for it. Here's what the critics are saying:

• "The production is creative, entertaining, and oozing with charm". (The Washintonian)
• "A bouyantly entertaining evening during which, it seems, anything goes." (The Washington Post)
• "Layer after luscious layer." (from The DC Theater Scene) 

Can Data Miners Tell How Many Olympic Medals a Country Will Win?

DC's Smithsonian museums (there are 17 of them here in the city) are among America's most treasured and visited places. But the Smithsonian also publishes a series of some of the most interesting, fact-filled blogs appearing anywhere on the internet. Each Sunday, The Prices Do DC re-posts an entry that initially appeared in one of those highly-readable blogs. Hope you enjoy and maybe we'll see you soon at the Smithsonian.

The American Olympic contingent at the opening ceremony: How many medals will they win?

If someone asked you to predict the number of medals each country is going to win in this year's Olympics, you'd probably try to identify the favored athletes in each event, then total each country's expected wins to arrive at a result.

Tim and Dan Graettinger, the brothers behind the data mining company Discovery Corps, Inc., have a rather different approach. They ignore the athletes entirely.

Instead, their model for the Sochi games looks at each country's geographic area, GDP per capita, total value of exports and latitude to determine how many medals each country will win. In case you're wondering, it predicts the U.S. will come out on top, with 29 medals in total.

To read the complete story, click here.

House of Cards Returns for 2nd Season

Each Saturday we will offer a round-up of a few online articles not originally published in The Prices Do DC which are of interest to both Washington area residents and visitors.

Next week, the set-in-DC award-winning Neflix show House of Cards premiers all its episodes for its second season for your binge-watching enjoyment. Here is a series of articles about the political drama, which President Barack Obama says he regularly watches:

• First up. star Kevin Spacey talks about what it's like playing the most devious fictional man in all of DC (from The Wall Street Journal)
• Next, creator Beau Willimon looks back at the show's wild ride and (sort of) teases season 2 (from The Washington Post)
• Finally, here is a profile of Kate Mara, who plays a wildly ambitious journalist on the show and knows something about power since she is the granddaughter of 2 NFL owners in real life. (from The Washington Post)

Photographers Fighting for More White House Access

Last year, 40 major news organizations filed a formal complaint with the Obama administration contending that officials were barring photographers from taking news pictures at the White House. Instead, on many occasions, the White House was releasing its own pictures of events, which the photographers say "smacks of propaganda."

Last weekend, two White House photographers appeared on an Inside Media edition at the Newseum to provide an update on the ongoing dispute.

"If White House pictures are only supplied by the White House, you (the public) should be concerned," said award-winning White House news photographer Charles Dharapak. "They want to manage the image; they want to manage the message."

Dharapak's colleague, Dennis Brack, a long-time White House photographer for Time magazine, said the issue isn't new. "It started in the Clinton years. We have been protesting this for a long time, but recently it's gotten to be more" Brack explained.

With the explosion of social media such as Facebook, Twitter, YouTube, and Flickr, it is much easier for politicians to provide and disseminate their own photographs. "Who could blame a president for using these tools to get their message out. But this shouldn't replace news photography," Dharapak said. "You get to see only their version of these important events. It's great photography, but it's not journalism."

"We're not looking for a gotcha moment. We're not looking to make news, but the event is the news," Dharapak added. "The journalist's job in Washington is to hold our politicians accountable. When the independent press is shut out, journalism isn't happening.

Brack, who has been capturing presidents on camera for decades, provided a historical perspective on the issue. He said the idea of White House prepared photos dates back at least to the Woodrow Wilson ear, when Wilson wanted to disguise the effects of a stroke he suffered while president.

"The difference is everyone then knew the (Wilson) pictures were contrived," Brack said.

Brack said presidents have always been concerned about their image. "Now LBJ (Lyndon Baines Johnson), he was a photographer's dream," Brack said about the outgoing Texas leader. But even Johnson had his limits. Brack was one of the photographers who took the famous picture of Johnson holding one of his hound dogs up by the ears. That picture sparked controversy at the time around the country. Brack said LBJ called him in and said "You got me in a heap of trouble with that one."

Vanity can also play a role in presidential photography. John Kennedy dismissed his favorite news photographer when he took a picture of the youthful president with his reading glasses on.

Ironically, Obama. when elected, pledged to make his administration the most open in history. But that didn't turn out to be the reality. "I think the the administration thought they were being transparent, but really what they were doing was issuing visual press releases," Dharapak said.

The photographer said people ask what is the big deal about who provides the images. "People need to be conscious of where their news is coming from," Dharapak explained. "If only the White House provides pictures, there is a lot of information that is left out."

Both photojournalists acknowledged that recently the White House has been granting some more access and that trend should continue.

"This is probably an issue that White doesn't want to have keep dealing with right now," Brack said.

Bond and His Bad Guys: A License to Thrill

If you were watching the Super Bowl commercials, you saw the Jaguar ad featuring a trio of British villains. And while you watching that ad, you were probably reminded of the ultimate British hero Bond ... James Bond.

(If you can't view the Jaguar ad, click here)

Of course, heroes can't be heroes unless they are battling formidable villains. And so a good question might be - would James Bond be as captivating if he had not encountered such great bad guys as Dr. No, Goldfinger, and Jaws.

Well you can find out the answer to that question by visiting the International Spy Museum, where the featured exhibit is Exquisitely Evil: 50 Years of Bond Villains.

"The Bond movies are the hero, the villain, the women, and the gadgets," says historian and James Bond expert Jonathan Nashel.

Nashel said that since the Bond beginnings in books by creator Ian Fleming in 1953 until the most recent Bond film Skyfall released in 2012, an across-the-Atlantic and indeed an around-the-world transformation occurred.

"Bond has become an international idea, not a person," Nashel said at a lecture at the Spy Museum. "For Americans men, he became the American cowboy reborn - a hero for the modern Cold War and terrorist times. For women, they wanted to be with Bond rather than the snoring fatso next to them. He gave everyone the sense of the possibilities of being both a man's man and a ladies' man."

While the exhibition details all the aspects of the Bond story, much of the focus in on the villains he valiantly defeated in both print and on screen. The massive exhibition is divided into sections. They include:

• Bond Begins
• Cold War Power Plays
• Earth Redesigned
• Murderous Monopolists
• Drugs and Thugs
• Cold War Castoffs and
• New World Disorder

The exhibit explores how the evildoers and their plots have changed to reflect their times and how the Bond character had influenced the public's perception of real espionage. Historical artifacts and documents, as well as classic film and audio clips profiling Bond and his adversaries complement the array of movie props on view.

"The Bond of books and films showed a world of consumption. His Aston Martin launched a million dreams and Hugh Hefner's Playboy mentality reflected Bond to a T," Nashel explained.

The historian said the President John Kennedy had much to do with uber-British Bond initially becoming popular in America. "In 1961, Kennedy said From Russia with Love was one of his favorite books. No one is really sure if he was serious or joking. I think it was nonsense. The Kennedys were snobs and they were cool. I think they found the idea of England being equal to America absolutely hilarious," Nashel said.

"But his comment had an electric effect on sales of the books," he added.  In 1962, Dr. No, the 1st  of what would become 23 Bond films, came to the silver screen. And the rest, as they say is history - history you can actually see at the Spy Museum for the rest of the year.

Smithsonian Sunday: A Super Bowl Special

DC's Smithsonian museums (there are 17 of them here in the city) are among America's most treasured and visited places. But the Smithsonian also publishes a series of some of the most interesting, fact-filled blogs appearing anywhere on the internet. Each Sunday, The Prices Do DC re-posts an entry that initially appeared in one of those highly-readable blogs. Hope you enjoy and maybe we'll see you soon at the Smithsonian.

Today is the Super Bowl. Here are 3 Smithsonian stories related in some way to the big game.

The Super Bowl that might have been.

1) People were worried about weather conditions in the 1st Super Bowl to be played in cold weather country. But the New Jersey temperatures were balmy for this time of year. Here, however, what impacts cold weather could have had is explored in an article titled "The Science of the First Cold Super Bowl."

2) Just in time for the biggest dip day of the year, Kraft Foods has announced that there soon may be 
a shortage of Velveeta on America's grocery store shelves. Here's the history of the impending Cheesepocalypse. 

3) Whether it's the Super Bowl or some other occasion, you really should be making your own salsa. Here's why and how you do it.

Saturday Supplement: Food for Thought

Each Saturday we will offer a round-up of a few online articles not originally published in The Prices Do DC which are of interest to both Washington area residents and visitors.

I guess you could call this our February food special post. Maybe you can find a place to take that special someone for Valentine's Day from these articles. 

Jose Andres' Zatinya is in the top 10.

Here is the just released annual list of Washington's 100 best restaurants. (from The Washingtonian)

Small plates were big in 2013

Here are the top food trends in DC for last year. (from Best Things on the Menu)

Try Oohs and Aahs for some savory soul food.

Here are 4 DC eateries profiled in Diners, Drive-Ins, and Dives (from Flavortown)

Guy Fieri checks out the burgers at The Tune Inn

Here is the DC food scene as seen on TV (from The Washington Post)

Sometimes DC's Most Repeated Tales Lack a Key Element - The Truth

For Robert Pohl, his latest book came from his job as a licensed DC tour guide who spends a lot of his time "chasing 8th graders around DC."

"I knew exactly how 8th graders operate - I was one of them once," Pohl says with a chuckle. "I had some great facts, but I needed something to make them more palatable."

So Pohl began mixing in stories about some of the capitol's most famous sites. For example, there was one he would tell about the Washington Monument. When it was first opened, elevators were new and considered dangerous. Only men were allowed to ride up to the top of the monument. The members of the fairer sex and their children had to struggle up the steps to get a view from the top.

"This was a perfect story. It brought the Washington Monument alive to the people," Pohl explained.

However there was a big problem - the story wasn't true, even though it had been told and repeated for decades. It was the DC version of an urban legend - a story that "exists somewhere in between horror stories, jokes, and morality tales," said Pohl, who appeared recently at Politics and Prose to discuss his new book Urban Legends & Historic Lore of Washington, DC.

In the book, Pohl used meticulous research to find the truth (and the falsehoods) behind more than 30 of the most-often repeated stories about historic DC. Take the idea that the word lobbyist was created in this city. The version of that tale goes like this: When he was president, Ulysses S. Grant would walk over to the Willard Hotel and sit in the lobby. There, people who wanted a favor from the president would present their case as he sat.  However, both parts of that tale appear untrue. First, in the 25 books of his memoir, Grant only mentioned the Willard 4 times, even though it is only down the street from the White House. In fact,  there is no proof that he spent evenings there. And there are mentions of the word lobbyist in 17th Century England, long before Grant took up residence at 1600 Pennsylvania Avenue.

Then there is the case of another great story involving a President, this time the massive chief executive William Howard Taft. In the various versions of this story, Taft got stuck in the White House bathtub prior to his inauguration and was only able to be freed with a pound of butter and the strength of 4 or more strong men. Good story, but again not true. First of all, Taft couldn't have been bathing in the White House prior to his swearing in. However, as there often is in such tales, there was a kernel of truth mixed in with fanciful elements. Taft, at more than 300 pounds, did have a special bathtub installed in the White House that was large enough to accommodate 4 normal-sized men.

But Pohl's research did not lead him to debunk all the questionable stories. For example, the Lincoln Memorial really is the only building struck by gunfire during World War II. However, it was shots from an errant machine gun, not anti-aircraft fire that damaged the building. Pohl found confirmation in several newspaper accounts from the time.

"This story stuck in people minds as if it were an urban legend," he noted.

Pohl said the urban legends he investigated shared many of the components from similar stories spread in other parts of America. "They tend to erupt, be localized, change over time, and have a moral" he said. "They are all good stories and we all like good stories. As human beings, we love patterns and we want to see patterns even when they may not exist."

Pohl did acknowledge there is one story that he loves so much that he refuses to look into it. That tale involves the Jefferson Memorial. At some point, officials were going to remove some of the famed Cherry Blossom trees that surround that memorial. A group of elderly civic-minded ladies, irate at that plan, decided to cling to the trees to save them. The local police chief was summoned. Realizing that "knocking old ladies on the noggin would't be good for anyone," the chief came up with a more subtle plan. He began plying the ladies with free coffee. Within half an hour, nature was calling and the protesters had to abandon their position for the nearest restrooms.

"At least that's my story and I'm sticking to it," Pohl said with a laugh.

Reliving 1964's Freedom Summer at the Newseum

This Polumbaum photo captures the essence of the era.

Even though he had fought in the South Pacific in World War II, photographer Ted Polumbaum was always very clear about the most frightening times of his life - those occurred 50 years ago when he was photographing the Civil Rights movement in Mississippi that came to be known as Freedom Summer.

"He was much more afraid in Mississippi than he ever was in World War II," Polumbaum's widow Nyna said this past weekend at the Newseum, where she and her daughter, Judy, appeared at an Inside Media taping to talk about Polumbaum's 1964 photos for Time magazine. Those photos captured the attempt of committed young southerners and northerners to register black voters in hate-filled towns all over Mississippi.

Earlier, Nyna had given more than 200,000 of her husband's photos to the Newseum and some of the most dramatic of those shots form the basis for the institution newest exhibit 1964: Civil Rights at 50.

Polumbaum began his documenting in Ohio, where the young white and black volunteers were being trained for what they were about to encounter. "They were told the government would not be able to help them at all," Nyna said. "They should be prepared to be beaten, shot, and maybe even killed."

In actuality, 3 of the volunteers did end up losing their lives, the victims of racists who were willing to take any measure to keep blacks from being able to vote. Chillingly, one of those subjects, 21-year-old Andrew Goodman is captured in one of Polumbaum's shots of the training. "Goodman was really good at playing the brutal Southern white racist," Nyna said. "I was always amazed at the enormous maturity and incredible bravery of these young people."

Nyna said her husband said the scariest personal moments came when he first arrived and stayed at a for-whites-only motel. "He was terrified going home at night to the white motel," Nyna said. "After that, he always stayed in black neighborhoods to be safer."

There was never any question that Polumbaum, long a social activist, would seek out the dangerous Mississippi assignment. "This was something that wasn't a new idea for him. He was committed and wanted to go," Nyna said. "He always said that this was one of the transformative events of his life."

Actually, Polumbaum's career in photography was the result of a stand he made during the time of the Communist witch hunts. After he returned to Yale University (where he and Nyna met) from World War II, Polumbaum had been active in the John Reed Club, an organization which tried to bring Marxist speakers to the New Haven campus.

After college, he was working in 1954 as a television news writer when U.S. marshals came to the Polumbaum's home to arrest Ted for "subversion in education." He invoked the 5th Amendment when he was forced to testify before the House Un-American Activities Committee. He was immediately blacklisted from TV and had to "find a new way to make a living." He returned to his earlier love of photography and then spent decades taking pictures of some of the biggest events of the times.

Nyna said she hopes that people will be inspired by the actions captured in her husband's photos, especially young people who have no real awareness of the sacrifices made in the name of Civil Rights.
"That history, which may be very much a blank to them, is really very much alive," she said. "The struggle is not yet over. There is still much more to do."

Studying Stamps from A to Z

If you want to learn everything about stamps from A to Z, you should head to the National Postal Museum next to Union Station. In fact, you might start your study at the exhibition Alphabetilately A-Z, which takes visitors on an alphabetical history of stamps and stamp collecting.

For example, under A, the display details features of advertising covers which decorated 19th Century envelopes and postal cards with colorful images to promote company products and services.

Z, meanwhile, is for zeppelin posts. In 1908, airships, including the ill-fated Hindenburg, began carrying mail. During those years, special stamps were issued to commemorate that method of delivery.

The complete stamp alphabet display is as follows:

• A - advertising covers
• B - bisect
• C- Cinderella stamps
• D - duck stamps
• E - EFOs (errors, freaks, and oddities)
• F - firsts
• G - G stamps
• H - handstamps
• I - inverts
• J - joint issues
• K - Kansas City roulette
• L - local post
• M - Mulready
• N - numerals
• O - overprint
• P - Persian Rug
• Q - quality
• R - Railway Post Office
• S - Setenant (French for joined together)
• T - topicals
• U - Universal Postal Union
• V - Vmail
• W - war issues
• X - x (for cancel)
• Y - Yvert and Tellier (a French company that publishes catalogs of stamps for collectors)
• Z - zeppelin mail

Elvis mail: Return to Sender

As you might expect, the exhibit also features details about the invert that is the most famous stamp printing error ever made. That stamp is known as "The Inverted Jenny." The "Jenny" is actually the stamp of a blue airplane that was printed flying upside down. Inverts are supposed to be caught at printing and destroyed. However, 1 sheet of 100 Jenney upside-down-flying stamps escaped detection and they were sold in 1918 at a DC post office. The Postal Museum has 2 of the 100 stamps in its collection.

Yoga: The Art of Transformation

If you want to view a comprehensive history of yoga which is not only the first of its kind in DC, but also in the entire United States, you had better hurry. You only have one week to take in Yoga: The Art of Transformation at the Freer and Sackler Gallery.

There you can view devotional sculpture, intriguing art, colonial photographs, and early film and posters that trace yoga from its origins in ancient India to the 20th Century.

The 6 galleries, containing more than 130 works of art, demonstrate how Yogis (and their lesser-known female counterparts called Yoginis) have been imagined and understood over the centuries.

Today, yoga is practiced worldwide. For example, in the United States, an estimated 2 million residents are engaged in some form of the discipline which is recognized as a source of health and spiritual insight.

"It makes you have peace of mind - physical, spiritual, and mental," says Walter Choi, who has been offering guided talks of the exhibition. "Yoga practice can be done by anyone and anyone can benefit from it."

The exhibit opens with a series of statues that reflect the purity of meditation.  Many of the statues feature beings with multiple hands which symbolize the multiple attributes of yoga. Others contain a 3rd eye which is symbolic of the all-seeing idea of pure knowledge.

Even from its earliest times, in addition to growing spiritually and mentally, yoga also featured fitness components. "A healthy body is very important for your mental elevation," Choi explained. Yogis have long been known for being able to contort their bodies and assume strange seated body postures known as asanans for extraordinary periods of time.

From the 16th to the 19th century, Asian art depicted yogis as alternately wise sages, witty spies, evil wizards, and brave heroes.

With the arrival of photography in the 1840s, Europeans were captivated by these exotict often near-naked ascetics with long matted locks. Many were brought to European stages to perform as magic act curiosities.

The interest with yoga in the United States originated in the late 1800s with speaking engagements by Swami Vivekonadra. The guru extolled the virtues of yoga, claiming that "every individual can realize their supreme self or their god-self within."

In 1902, Thomas Edison filmed the stage act of an Indian magician for one of his earliest short movies.

Smithsonian Sunday: The Man Who Viewed the Bible as Art

DC's Smithsonian museums (there are 17 of them here in the city) are among America's most treasured and visited places. But the Smithsonian also publishes a series of some of the most interesting, fact-filled blogs appearing anywhere on the internet. Each Sunday, The Prices Do DC re-posts an entry that initially appeared in one of those highly-readable blogs. Hope you enjoy and maybe we'll see you soon at the Smithsonian.

It’s not the place you would expect to find the world’s third-oldest manuscript of the gospels. The jade-like walls of the Freer Gallery’s Peacock Room are beautifully rendered in rich detail work. Delicate spirals rim the panels and gold-painted shelves line the walls, housing dozens of works of Asian ceramics. On one end, a woman immortalized in portrait, robe falling from her shoulders, watches over the room. To her left, a row of closed shutters block the room’s access to the sunlight. Golden peacocks, their feathers and tails painted in intricate detail, cover the shutters. On the far wall, two more peacocks are poised in an angry standoff. One is dripping with golden coins. The creature is a caricature of the Peacock Room’s original owner, the wealthy Englishman Frederick R. Leyland. The other peacock represents the struggling, underpaid artist—James McNeill Whistler. Whistler, who fought with Leyland, his patron, dubbed the piece “Art and Money; or, the Story of the Room.”

The parchment pages of the late 4th to 6th century biblical manuscripts, recently placed on view in the middle of the room, were originally intended to be handled and turned gently, most likely, as a part of the liturgy, by the monks that owned and read them. In the seventh century, wooden covers painted with the figures of the four Evangelists were added, binding the manuscript tightly and making the pages much harder to turn. At that time, the bound books probably made the transition to a venerated object—but yet not a work of art.

To continue reading this Smithsonian.com post, click here.

Saturday Supplement: What's Been Happening In DC

Each Saturday we will offer a round-up of a few online articles not originally published in The Prices Do DC which are of interest to both Washington area residents and visitors.

DC officially welcomes Bao Bao

Bao Bao, the National Zoo's giant panda cub, makes her public debut. (from The Washington Post)

DC dinosaurs are facing extinction again. The Dinosaur Hall in the Smithsonian National Museum of Natural History on the Mall will be closing for 5 years in April for renovations. (from The  Washington Post)

Judy Chicago's, whose masterpiece "The Dinner Party" was once rejected by DC, is back in the nation's capital with a new exhibit at the National Museum for Women in the Arts. (from The Washington Post)

A 2-year renovation project is beginning on the Capitol dome. (from The Huffington Post)

Friday Flashback: One Name, Two Fates

This story 1st appeared in The Price Do DC on Nov. 6, 2001

Two boys named Wes Moore. Both black. Both from the streets of Baltimore. Both raised without fathers. Both finding trouble in school and with the police. Yet one winds up a Rhodes Scholar, decorated veteran, White House Fellow, and business leader. The other ends up serving a life in prison for his felony murder conviction.

How does something like that happen and what can we do about reshaping a system that allows, and too often even preordains, such tragic dichotomies?

That was the question on the floor tonight at the Politics and Prose bookstore as a 3-member panel discussed The Other Wes Moore: One Name, Two Fates by Wes Moore, this year's selection as the book all of Washington is being encouraged to read as part of the DC Reads program.

Moderating the discussion was Kurt Schmoke, former Mayor of Baltimore and current Dean of the Howard Law School. The other 2 panelists were the author Wes Moore's mother Joy and his older sister Nikki.

If there is a moment when the 2 Wes' stories took its most divergent turn, it is probably when Joy made the difficult decision to send her son to the Valley Forge Military Academy in an effort to save him from himself and the streets.

"We'd never even let him have a toy gun," Joy said. "But at the time, there was no other alternative."

Strong, loving family support was a theme interwoven through both the book and the night. Joy's eyes welled with tears as she recalled her parents pitching in financially to help pay for the military school. "My mom said "I know there is a window in every child's life when you have to make a move or the child is lost,'" Joy said.

Another point of digression between the 2 Wes' paths  occurred in their first encounter with the law. As the book points out and Joy reiterated, one of the 2 policemen who nabbed her son as he and his friend were tagging (spray painting graffiti) on buildings "took the time to talk to him. He showed that there were people who cared."

As her son consistently maintains, the biggest tragedy in the entire narrative is that occurred by the family of the off-duty policeman slain in the robbery gone wrong perpetrated by the other Wes Moore. Even though he did not pull the trigger (that was his brother, Tony), Moore was found guilty of  participating in the robbery and, under Maryland felony murder law, sentenced to life in prison without parole for his part in the crime.

But the fate of  the other Wes Moore is still tragic, Joy said. "There is no reason that a guy with this kind of talent should be wasting away in prison," she said. "He should be sitting right here, right now contributing to society."

Joy said she believes the story of her son and his name twin dramatically illustrates the importance of "opportunities and where you go and the people you meet along the way."

"If there could have been another title for the book it could have been called choices," she added.

While her son's star continues to rise, the other Wes Moore sits in prison, each day the same as the one before it and the one yet to come.  Asked by a member of the audience how that Wes Moore feels about the book, Joy responded that he told her son "I've wasted every opportunity I've ever had. If this book helps save even one person, go for it." 

Tales, Tidbits, and Traveling Tales:
While most of the focus was on Wes Moore's  mother and sister at the Politics and Prose discussion this afternoon, the moderator, Kurt Schmoke, also was directly involved in Moore's rise. As mayor, Schmoke hired him as a political intern and began mentoring the young man, a process which  continues today. During his years as Baltimore's mayor, Schmoke became famous (or infamous depending on your view) for seriously suggesting that the only way to end the failing war on drugs was to legalize some of them. His insistence on legalization caused at least one U.S. Congressman to label the scholarly Schmoke "the most dangerous man in American," and also led to the ex-mayor getting a bit part in HBO's fantastic series The Wire, ironically as a critic of a plan named "Hamsterdam," which provided a sanctioned drug-law-free zone in creators David Simon and Ed Burn's fictional Baltimore. To learn more about then mayor Schmoke's visionary view that people are not only addicted to drugs, but to the money that drugs bring, click here.

Sculpted Dresses as Arty Body Armor

There is no shortage of great places to view free art in the DC area.  For example, you can go to the National Gallery, the American Museum of American Art, or the National Portrait Gallery in the district. Just across the Potomac, you can go to such places as the Artisphere in Rossyln or the Torpedo Factory in Old Town Alexandria.

Chances are you wouldn't consider visiting the Century Center in Crystal Plaza. But the Artspace there is currently exhibiting one of the most intriguing small exhibitions in the area.

The exhibition features a series of dress sculptures by tinmaker/seamstress Donna McCullough. The series originated in 1995 out of McCullough's struggles navigating the male-dominated corporate world.

"They challenge us to consider the societal expectations of women," says curator Bobby Donovan. "Through her art, Donna explains the expressions and values of women, both those they embrace for themselves and those that are culturally assigned to them by others".

"She makes forms that are comfortably familiar, yet must be most uncomfortable to wear," Donovan added. "Her dresses are not the soft sensuous garments of attraction. They are hard and unyielding. Despite the hints of frill and charm, they are, in reality body armor."

For her creations, McCullough uses cookie tins, oil cans, company logos, and other such found objects. She gives her works titles reflecting their intended meaning such as Tea in the Garden or Brunch with Frances.

Her most recent work, 2 sculptures of which are part of the display, is called Drill Team.  Unlike the seriousness of her other sculptures, the dresses in this series offer a whimsical rendition of cheerleading uniforms, all of which display vintage logos and graphics.

God, Chat Rooms, and Christian Mingling

One of the best things about living in DC is there are so many free things to do. And one of our favorites is to attend presentations at Washington think tanks. You can get talks that span the political spectrum. Tea party ideas at The Heritage Foundation. Conservative views at the American Enterprise Institute. Libertarian stands at the Cato Institute. More middle-of-the road positions at the Brookings Institute. Progressive, liberal, and left leanings at the Center for American Progress and the New America Foundation.

The other day we were going to take in two talks at New America. In between, we would have time for lunch. As we often do when we are in the area, we chose the eclectic C.F. Folks, run by the idiosyncratic, wise-cracking Art Carlson. Last year, Carlson's lunch-only institution, with its 11 counter stools, received an America's Classics Award from the James Beard Foundation.

After ordering, I checked my phone messages and email. One definitely stood out. "GOD created a match for you," it read. I looked at the message. Then I looked at my wife. On the 27th of this month, we will have been married 41 years. But what if she wasn't my match. I mean God (or should I say GOD) was claiming he (or she or maybe it) had a match for me. And what if that match wasn't Judy. I mean when GOD contacts you, you should probably check it out.

So I told Judy about my message.

"Go for it," she said turning back to her own reading.

Now, to be specific, the message wasn't exactly from GOD. It was from the web site ChristianMingle.com. In addition to the words of GOD, it included a second message - "Cozy up with someone special this winter."  Next to the message was an extremely white-toothed couple decked out in heavy sweaters, scarves, and knit caps.

I clicked on the link and was taken to the Christian Mingle website. A banner on the top of the page read "Delight yourself in the LORD and he will give you the desires of your heart." As you might expect, much of the site was devoted to a mission statement which in part read:

"We bring Christian singles together. At Christian Mingle we're more than just a site for Christian dating, we're a Christian personals community where you can find singles that share your values and love for God in Christ. Enjoy our Christian chat rooms, instant messenger, message boards, Bible verse of the day, searchable Bible, and many other great features."

I breathed a sigh of relief. I was glad GOD (or, in this case, God's helpers at Christian Mingle) had brought the idea of Christian dating into the 21st Century, but it was clear a mistake had been made. Maybe the NSA had inadvertently sent my email address to the Christian Mingle people.

I wasn't a Christian. I didn't own a wool-knit cap. And, most importantly, I wasn't single. In fact, I hadn't been single for 40 years. For 40 years ago (41 in 13 days), I had married my perfect match. She was sitting right across from me.

But the exercise wasn't a total waste. I was glad to have discovered that Christians had chat rooms. And if God ever makes a guest appearance in that room, I hope I get invited back. I'd like to ask him about that NSA thing.

Smithsonian Sunday: Where Does Winter Road Salt Go?

DC's Smithsonian museums (there are 17 of them here in the city) are among America's most treasured and visited places. But the Smithsonian also publishes a series of some of the most interesting, fact-filled blogs appearing anywhere on the internet. Each Sunday, The Prices Do DC re-posts an entry that initially appeared in one of those highly-readable Smithsonian blogs. Hope you enjoy and maybe we'll see you soon at the Smithsonian.

As much of the country endures from the heavy snowfall and bitter cold that has marked the start of 2014, municipalities in 26 states will rely on a crucial tool in clearing their roads: salt.

Because the freezing point of salty water is a lower temperature than pure water, scattering some salt atop ice or snow can help accelerate the melting process, opening up the roads to traffic that much sooner. It's estimated that more than 22 million tons of salt are scattered on the roads of the U.S. annually—about 137 pounds of salt for every American.

But all that salt has to go somewhere. So where does it go?

To find out, click here.

Saturday Supplement: School Choice in DC

Every Saturday we publish an article (or more) that is of interest to both DC residents and visitors which first appeared on a website other than The Prices Do DC.

Thousands of parents descended on the Walter E. Washington Convention Center on Saturday for the D.C. Education Festival, a one-stop school shopping event meant to help families navigate the city’s growing — and sometimes overwhelming — number of school choices.

The city’s increasingly popular charter schools have long marketed themselves at this annual event, but this year, for the first time, traditional D.C. middle and high schools were on hand to sell themselves, too.

To continue reading this story, which was offered on Trove, click here.

Friday Flashback: Unbuilt Washington

This post 1st appeared in The Prices Do DC on May 27, 2012

An alternate Washington Monument

Washington DC is a city of well-known monuments. The Washington Monument. The Capitol. The White House. The Lincoln Memorial. The list is lengthy. But before the buildings were the iconic structures they have become today, they were a series of architects' drawings and plans and mockups.

And, of course, in almost every case, they weren't the only designs considered. Can you imagine a Washington Monument with a giant round base at its bottom? Or a Pentagon with a 24-story tower rising from its middle courtyard? Or how about a Venetian style canal leading to the steps of the Capitol?

Well, architects could. And not only could they envision them, they drew up complex plans for such structures. And it is these plans and designs that formed the basis of Unbuilt Washington, an exhibit that just ended Memorial Day at the National Building Museum.

How about this for the Lincoln Memorial ...

If you known anything about the design of the city Washington, you know much of the credit for the look of the goes to Charles L'Enfant. However, L'Enfant was often late with his drawings and reluctantly had to be fired by 1st President George Washington. So, even in its beginnings, the district became the vision of many planners. Even Thomas Jefferson, the 3rd President of the United States, submitted architectural plans for what the new capitol city should look like.

Many of the plans on display featured pyramids and domes and British-style gardens that are virtually impossible to equate with DC given the way it looks today.

Some of the more interesting projects are those that never came to fruition. For example, in 1940, the famed architect Frank Lloyd Wright designed a massive project for Washington which was named Crystal Heights for the amount of glass it woulds contain. If built, Crystal Heights would have been the largest hotel and apartment complex in America. It would have included a shopping arcade, a theater, and underground parking for 4,000 cars.

... or this for our Capitol?

But some of the unrealized projects on display could still become a reality. In 2000, a design competition was held to "show how you believe the most powerful man or woman on Earth should live and work." One of the winning designs featured a futuristic "tree-fort" where the president could go to escape the inherent pressures of the job. Another included a giant screen outside the new White House where the first family and other dignitaries could have real-time conversations with visitors.

National Book Festival Heading Off the Mall

The rumors were finally confirmed Wednesday: After 12 years on the Mall, the National Book Festival is moving to the Walter E. Washington Convention Center.

Word that the National Park Service was concerned about pedestrian damage to the grass first broke in September, just as the 2013 festival was about to begin.

The Library of Congress staff tried to figure out some way to address the Park Service’s concerns, but ultimately, no feasible compromise was reached. More than 200,000 people attended last year’s two-day literary event.

To continue reading this post originally appearing in The Washington Post, click here.