If you want to see cinematic work made by Oscar award-winning director Steve McQueen before his best picture movie 12 Years a Slave," you need to head to the Hirshhorn Museum on the National Mall.
There you can view McQueen's 4:35-minute, silent, black and white "Deadpan," which is included in the exhibition Damage Control: Art and Destruction Since 1950.
The short, filmed in 1997, is a re-staging of Buster Keaton's 1928 scene in "Steamboat Bill Jr."
In the film, McQueen stands motionless as the side of a house falls on him. McQueen escapes injury because the house falls in such a way that he is framed through a glass-less window.
In the catalog that accompanies the exhibition, McQueen explains that his film has "a lot to do with being framed, about frames, window frames and the frames of houses."
It also represents "being framed within the broader, wider society and the individual within the frame standing up. So you can escape ... even when you're out, you're in," he added.
Critics have said the endless repetition of the building's collapse suggests an obsessive need to re-stage a traumatic event.
Damage Control, which is on display until May 26, explores the ways in which artists have used destruction as a central element of art to comment on cultural and social issues of the post-nuclear age.
DC at Night
Showing posts with label Hirshhorn Museum. Show all posts
Showing posts with label Hirshhorn Museum. Show all posts
Thursday, March 6, 2014
Tuesday, February 18, 2014
All She's Still Saying Is Give Peace a Chance
This month we've seen a new British Invasion of media about the Beatles almost the same as that which also exploded when John, Paul. George, and Ringo first set foot in American in February of 1964. We had the Grammy tribute concert celebrating the Beatles' historic first performance 50 years ago on the Ed Sullivan Show. Then, of course, there was the re-creation of the band's 35-minute, 12-song, first American concert right here in DC.
Well, in the event you are in the DC area and you aren't yet Beatled out, you can head to the Hirshhorn Museum to check out art work by one of the most important non-Beatle players in the Beatles' story - Yoko Ono.
In 1969, one year before the Beatles broke up (at the time, and even today, there are fans who blame Ono for the dissolution of the Fab Four), John Lennon married Yoko and the pair remained united in their art and music until Lennon was tragically gunned down in 1980 outside the couple's apartment in New York City.
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| Yoko Ono, far right, speaks at the Hirshhorn |
Ono appeared at the museum to discuss her work, and naturally, she spoke much of her relationship with John and how they influenced each other.
"I didn't wish for it, but I met John and my whole life changed," Ono said. During much of their time, both in music and art, the couple delivered a blistering critique of the social conditions of the 60s and 70s.
"People would ask - 'what is she doing here' and I would say trying to make it a peaceful world," Ono told the crowd of art and Beatles lovers.
"With John's assassination, I know the pain that people go through," she said. "But we can survive all this together. I know we can if we use our brains. We all have brains. They think they can control us but we can change the hate to love and the war to peace. We just need a clear, logical head to know what is going on."
"We think 'I shouldn't do this' - but if all of us stand up it will be very difficult to beat us. They (the oppressors) will be very lonely. They won't even have servants," she added.
"Not too many people choose to be activists. Well, John and I were activists. Today people ask me - 'Yoko, are we going to have doomsday (which is a recurring motif in the Damage Control exhibit)?' I say, well it is up to us. If we are all so dumb, we will," Ono said.
Now 81 years old and having spent more than 30 years without John, Ono acknowledges that she has changed. For one thing, she focuses much more on her Japanese past and her ancestors. "I thought I was escaping that and being a rebel. But today, I know family history is important."
"There are so many beautiful things now. Whenever I get depressed, I take a look at the sky. It is so beautiful," she concluded.
Labels:
Beatles,
Damage Control,
Hirshhorn Museum,
Yoko Ono
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