Appearing at Politics and Prose to discuss his latest work, Carter said the closest his new book comes to a message is in its exploration of the question: what lines do you cross to do what you believe is the right thing?
Obviously, as the title suggests Lincoln survives the attempt to assassinate him. Two years later, Lincoln is brought up on impeachment charges, charges that although never leveled do have a basis in history.
In order to win the Civil War, Lincoln suspended the guaranteed right of habeas corpus and allowed dissenters to be imprisoned without judicial review. He refused to abide by court orders, saying "that's their opinion, I'm going to follow my opinion." He also stifled the rights of free speech, ordering opposition newspapers to be closed and reporters jailed.
"The president was very unpopular in his time, especially among members of his own party. Just months before he ran for re-election, they were looking to get him off the ticket and run somebody else." Carter said. Much of that criticism centered around Lincoln's handling of the war and his clear disregard for the documents of the founding fathers. Lincoln justified his actions by saying that he had to take draconian measures to win the war and preserve the Union.
Despite the title, Lincoln only appears in 6 scenes of the novel., Carter said. However, he said the president was "the hardest to craft because I admired him so." In fact, during the course of his extensive Lincoln research, Carter came to increase that admiration. "He was faced with decisions that were impossible," Carter said. "He really underwent a remarkable evolution of his views."
Much of the book centers around the story of 21-year-old Abagail Canner, a young black graduate of Oberlin College, who wants to become a practicing lawyer and finds herself drawn into the intrigue of Lincoln's impeachment proceedings.
Carter said he created Canner because he wanted to view the Washington D. C. of the 1860s through the eyes of someone who was the ultimate outsider. "There is the story of where she could go and where she couldn't go. For example, she couldn't go on the Senate floor, not because she was black but because she was a woman," Carter said.
As for the Washington D.C. setting, Carter said he "did a lot of work to get that right," pouring over documents, accounts, and photographs. People familiar with D. C. will see similarities and differences with the contemporary city. For example, Georgetown, today one of the most affluent sections of D.C., definitely didn't have that reputation in the 1860s. "It was so dangerous the cops wouldn't even go there," Carter said. "Civilization stopped at about 19th Street."
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Carter signs Sarah's copy |
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